A Therme Vals case study for architecture students: Peter Zumthor's 1996 bath in Vals stone, its plan of solid blocks, roof light slots, section, materials and reception, with MOA diagrams.
Therme Vals is a thermal bath in the Swiss Alps, designed by Peter Zumthor and opened in 1996, built from tens of thousands of thin slabs of local stone and half sunk into a hillside. For a case study, three ideas carry almost everything: walls laid up in thin courses of Vals stone, daylight let in through narrow slots between roof slabs, and a plan made of solid blocks where the bathing happens in the spaces between them.
Therme Vals at a glance
The sections below follow the order a studio jury expects. For the full method, see our guide on how to document a building for an architecture case study.
Vals has used its hot spring for bathing since the 19th century. A hotel complex was built next to it after the war: Domus dates it to 1960, while Metalocus gives 1970. By the 1980s the complex had lost its appeal, and the village decided to build a new bath. According to Architectuul, the community bought the bankrupt hotel in the early 1980s and then commissioned Zumthor.
The Domus review of 1997 notes that the council chose Zumthor's proposal knowing it would be difficult and expensive to build. The client was a mountain village of about 1,000 people (Swissinfo, 2004), betting a public asset on architecture.
Vals sits at the end of a deep valley in Graubünden, about 1,200 m up, according to Domus 798 (November 1997, republished 2023). The thermal springs here are the only ones in the canton.
The new bath does not attach itself to the hotel. Domus describes it as standing alone and half sunk into the earth, linked to the hotel only by an underground passage. Its roof is planted with grass, so from above it reads as part of the slope. Zumthor's own explanation, quoted in Domus, was that the building gives up fitting in with the existing buildings in order to "bite more deeply" into the mountain and its geology.
The concept is usually summed up in Zumthor's own phrase, "Mountain, stone, water" (quoted by Thisispaper and others), followed by a list of ways of building in, with and out of stone. The wording varies between sources, so check it against Zumthor's own published texts before you put it on a sheet. The intention, quoted in Domus, was a building that feels older than its neighbours. Domus quotes the description of the whole building as "a great porous stone".
Two further ideas follow from that:
The plan is the most useful thing to study. Metalocus describes 15 volumes set on a strict grid, each about 5 m high, 3 to 5 m wide and 6 to 8 m long. Each of these blocks is solid on the outside and hollow inside: the small, specific rooms (the fire bath, the cold bath, the drinking stone, the showering stone) sit inside the blocks. The large indoor pool and the circulation are not rooms at all. They are the space left over between the blocks.
Three things follow for a plan analysis:
Our diagram shows the principle only. The real plan is published in the book Peter Zumthor Therme Vals (Scheidegger & Spiess, 2007), which includes Zumthor's sketches and plans with photographs by Hélène Binet. Use it for any measured redrawing, and credit it. ArchDaily's project page has photographs and credits.
In section, each block works like a table: the stone-clad block is the leg, carrying its own cantilevered concrete roof slab. Domus describes these as large "tables" with widely projecting ceilings, set slightly apart from each other in a geometric pattern. Architectuul adds that the roof units are held by tie-beams and fit together like a jigsaw, and that they never touch: the gaps between them are about 8 cm wide and covered with glass to keep the water out.
Structurally, Metalocus describes the load-bearing system as solid concrete walls working with thin slabs of Vals stone, which Domus calls "Vals laminated stonework" (Valser Verbundmauerwerk): stone and concrete built up together as one mass, not stone tiles hung on a finished frame. Metalocus also reports that Zumthor first wanted to hollow the rooms out of giant stone blocks, and turned to thin layers when that proved technically impractical.
The stone came from a local quarry. Swissinfo (2004) names the Truffer family quarry and quotes Pius Truffer on the stone's varied colours and its resistance to frost, which lets it work inside and outside. ArchDaily lists Truffer as a supplier.
On quantity and coursing, the sources do not fully agree, and a careful case study should say so:
What is not in dispute is the method. Domus reports that Zumthor drew and dimensioned the individual cladding stones and specified which stone went where. The same lamination runs through walls, pool floors, steps, benches and door openings. The Pritzker Prize 2009 laureate page points out how the horizontal joints of the stone echo the horizontal line of the water, set against warm bronze railings.
Daylight. Much of the daylight inside arrives from above, through the glazed slots between the roof slabs; Domus describes slits that let the light in from above. The Pritzker page describes the effect as a line of light that emphasises the movement of the water. On the valley side, the deep openings give framed views out.
Water. The operator says the water comes from the St. Peter spring at about 30°C. Older sources give different figures: Domus (1997) says the spring water emerges at 26°C, and Swissinfo (2004) reports two springs at 25°C and 29.8°C, with about half the flow going to the Valser mineral water bottling plant. We found no official list of individual pool temperatures, so we do not quote one.
Climate and mass. Half buried and built of heavy stone and concrete, the building holds a steady temperature; Metalocus reports that the volumes are heated using their thermal mass. We found no detailed published account of the mechanical services.
Domus reviewed the bath in November 1997, a year after it opened, calling it "already a monument of European architectural history" and noting it had also proved a commercial success for tourism. The same review was not uncritical. It argued that the poetic names Zumthor gave the rooms tipped the bath towards a "New Age" reading, and that even a strict architectural idea could be bent by consumerism once it was marketed.
Official recognition came quickly. The government of Graubünden placed the bath under heritage protection in 1998, less than two years after opening (SRF, 2020). When Zumthor won the Pritzker Prize in 2009, the jury cited "the mineral mist in the thermal baths at Vals" as an example of his attention to the senses.
In March 2012 the village voted to sell the bath and hotel to the property developer Remo Stoffel for CHF 7.8 million. Swissinfo reported a vote of 287 for Stoffel's offer against 219 for a rival bid by Zumthor, and that the village could not afford the investment the hotel needed (Swissinfo, 2012). The complex was renamed 7132.
These are our reading of the building, not claims made by its architect.
The bath is run by 7132, which also runs the neighbouring hotel. According to the 7132 day-visitor page, checked on 3 Nov 2026:
For students, that last rule means sketching from memory afterwards and using published photographs, such as Hélène Binet's in the 2007 book, for your sheets. The exterior and roof can be seen from the surrounding slopes.
Looking for someone to design with this kind of care for material and light? Find an architect on MOA.
It was built from 1993 to 1996 and opened in 1996. The village had bought the old hotel complex in the early 1980s and then commissioned Peter Zumthor. It was given heritage protection by the canton of Graubünden in 1998.
Peter Zumthor, the Swiss architect based in Haldenstein, who won the Pritzker Prize in 2009. ArchDaily credits Marc Loeliger, Thomas Durisch and Rainer Weitschies on the team.
Local Vals stone, laid in thin horizontal courses together with load-bearing concrete, with concrete roof slabs, a planted roof, glass in the roof slots and bronze or brass for railings and fittings. The operator says 60,000 stone slabs were used; one older report says about 40,000.
In the village of Vals, at the end of a valley in the canton of Graubünden in eastern Switzerland, about 1,200 m above sea level. The complex's current name, 7132, is also the village's postcode.
The most complete source is the book Peter Zumthor Therme Vals (Scheidegger & Spiess, 2007), which includes Zumthor's sketches and plans. ArchDaily's project page also shows drawings. MOA's diagrams in this post are schematic and not to scale.